Archives for October 2026

“The Tramp” makes no mystery that its artist collaborators, Caguiat Delacruz, pay tribute to Charlie Chaplin’s lovable drifter. They have created an experimental film that playfully reinterprets the character of the Tramp.

Liam Everett poetically suggests the works in “the passenger” are just “thin nets to catch the light,” indicative of his ambivalent relationship to the canvas. The title, relates to Everett’s questioning the nature of consciousness, i.e. “who is the passenger” residing in our mortal coil?

Chicago-based Gladys Nilsson paints mostly female figures captured in states of unabashed reverie, their obstreperous bodies portrayed half-way between physical solidity and ectoplasmic ecstasy. Are they grotesque? They are certainly that, but not in any way we might normally think of when considering the term.

“Objects USA” showcases the work of 61 artists working in the craft tradition, expanding and updating a historic exhibition staged under the same title in 1969 at the Smithsonian. The new show argues for a coherence between successive generations of artists drawing a line that tells us “things changed after this happened.”