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In Feldspar (1088, 1091, 1094), what appears to be a continuation of a red rectangular shape is actually part of a separate overlapping print. With Feldspar (1101), it takes longer to realize that one area of the print is actually a reflection of unseen materials. They were collaged over and obscured, the result being a reflection with no visible source. These effects are subtle, but they carry a lot of weight. In Feldspar (1095), for example, a black trapezoid reveals itself to contain a faint reflection, so that what at first looks flat turns out to have spatial depth, a faint echo that, once apprehended can knock you back on your heels.