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Looking at photography these days, it’s hard not to wonder if the medium hasn’t been drained of aesthetic value. For nearly two decades, big, banal, theory-driven pictures have occupied a disproportionate amount of space in galleries and museums. Yet despite this apparent hijacking, there’s a quiet counterinsurgency gathering force, composed of hundreds of photographers who are turning antiquated photographic methods to surprisingly contemporary ends.
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Excellent piece on what seems to be another exemplary SJICA show.