<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Hung Liu @ Rena Bransten</title>
	<atom:link href="http://www.squarecylinder.com/2010/05/hung-liu-rena-bransten/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.squarecylinder.com/2010/05/hung-liu-rena-bransten/</link>
	<description></description>
	<lastBuildDate>Wed, 18 Jan 2012 01:17:47 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.5</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: Rear View Mirror: 2010&#160;&#124;&#160;SquareCylinder.com</title>
		<link>http://www.squarecylinder.com/2010/05/hung-liu-rena-bransten/comment-page-1/#comment-3419</link>
		<dc:creator>Rear View Mirror: 2010&#160;&#124;&#160;SquareCylinder.com</dc:creator>
		<pubDate>Mon, 03 Jan 2011 05:21:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.squarecylinder.com/?p=4782#comment-3419</guid>
		<description>[...] Hung Liu @ Rena Bransten. Hung Liu&#8217;s latest cycle of paintings feels, at first, like a departure.&#160; But is it? People are absent, and so is her usual narrative structure.&#160; But like the elegiac, rivulet-stained oil paintings of nineteenth century and pre-Revolutionary women that, for decades, she has been painting from period photos, these pictures carry a heavy load:&#160;&#160;the weight of mortality. Liu grew up in China during the Cultural Revolution and witnessed all kinds of suffering; but she has never, as far as I know, taken on mortality directly.&#160; She does so here using animals as surrogates. Read the full story&#8230; [...]</description>
		<content:encoded><![CDATA[<p>[...] Hung Liu @ Rena Bransten. Hung Liu&rsquo;s latest cycle of paintings feels, at first, like a departure.&nbsp; But is it? People are absent, and so is her usual narrative structure.&nbsp; But like the elegiac, rivulet-stained oil paintings of nineteenth century and pre-Revolutionary women that, for decades, she has been painting from period photos, these pictures carry a heavy load:&nbsp;&nbsp;the weight of mortality. Liu grew up in China during the Cultural Revolution and witnessed all kinds of suffering; but she has never, as far as I know, taken on mortality directly.&nbsp; She does so here using animals as surrogates. Read the full story&#8230; [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Merrilee Mitchell</title>
		<link>http://www.squarecylinder.com/2010/05/hung-liu-rena-bransten/comment-page-1/#comment-579</link>
		<dc:creator>Merrilee Mitchell</dc:creator>
		<pubDate>Mon, 10 May 2010 02:11:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.squarecylinder.com/?p=4782#comment-579</guid>
		<description>I see deer hit by cars on Skyline and live deer and new fauns every spring in the park in back of my house - this will change my view of all of them.  Fascinating exhibit even if a bit disturbing.</description>
		<content:encoded><![CDATA[<p>I see deer hit by cars on Skyline and live deer and new fauns every spring in the park in back of my house &#8211; this will change my view of all of them.  Fascinating exhibit even if a bit disturbing.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Frances Baler</title>
		<link>http://www.squarecylinder.com/2010/05/hung-liu-rena-bransten/comment-page-1/#comment-557</link>
		<dc:creator>Frances Baler</dc:creator>
		<pubDate>Sat, 08 May 2010 05:26:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.squarecylinder.com/?p=4782#comment-557</guid>
		<description>The deer.  The robin.  The unliving engage my mind in troubling ways.  I say Bravo!</description>
		<content:encoded><![CDATA[<p>The deer.  The robin.  The unliving engage my mind in troubling ways.  I say Bravo!</p>
]]></content:encoded>
	</item>
</channel>
</rss>

