Nodding to historical notions of Romanticism, this show of young, mostly downtown New York artists filters its subject through the lens of various other isms: narcissism, voyeurism, consumerism and careerism. Alternately introspective and exhibitionist, it seems, more than anything, to want to have fun.
Since the 1970s, Margaret Harrison has explored the politics of domesticity, addressing issues that range from domestic labor to sex trafficking to genital mutilation and domestic abuse. Her work tracks the relationship of gender oppression in the domestic arena to global economic and political systems.
04 March 2010
Art in Fallon, NV? Fallon (pop: 7,536) may be the hippest little town in the West. For proof check out sculptor Robert Brady’s show at Oats Park Arts Center, a cultural oasis where you can also catch big-city jazz. Joe Lovano, anyone?
13 February 2010
The sculptures and drawings of Mari Andrews and Sheila Ghidini aim at what Suzi Gablik called a “resacralization” of the world: a reclamation of all that has been lost on our beleaguered planet.
30 January 2010
In their collaborative works, Harvey and Koo wrest order from manufactured chaos. Their wall-sized montages, built from thousands of images, show painting at its maximally expressive.
25 January 2010
Eleanor Wood’s hermetic Minimalism embraces a sense of infinitely plotted spatial extensions while instantiating an intricate, insistent, rigidly contained, eye-catching, hypnotic singularity.
21 January 2010
After the exhaustively hagiographical 2003 Diane Arbus retrospective, Revelation, at SFMOMA, what more can there be to say or look at? Plenty, as this show of around 30 early works and outtakes.
18 January 2010
Markus Linnebrink doesn’t compose in the conventional sense; his works are a kind of visual archeology: an exploratory process in which the artist is both creator and excavator.
15 January 2010
Employing Cubism’s floating color planes and Abstract Expressionism’s turbulent paint and ambiguous ideographs/hieroglyphs, Henderson's works generate their own force field.
21 December 2009
Can Minimalism’s geometry, impenetrable surfaces and modular units be recast with feeling? Theodora Varnay Jones answers with an emphatic yes.


