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Yisrael K. Feldscott @ b. sakata garo Doug Hall @ SFAI John Meyer @ George Lawson
 

Yisrael K. Feldscott @ b. sakata garo

His electrifying Neo-Expressionist paintings delve the psychological aspects of global conflict.

Doug Hall @ SFAI

“The Terrible Uncertainty of the Thing Described” forces us to feel the terrible power of technology, a power usually concealed behind friendly veneers.

John Meyer @ George Lawson

For Meyer, meaning accrued from the energy given off by materials he selected and by his exacting manipulation of them.

Doug Hall @ Rena Bransten

22 May 2015

The sex appeal of architecture? Hall finds it in a juxtaposition of images. Elwyn Palmerton reports.

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Richard Gilles @ Axis

16 May 2015

Home on the range? Not quite. Gilles uses the Central Valley as a prism through which to view California’s ongoing allure for suckers and scam artists.

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Rirkrit Tiravanija: “The Way Things Go” @ YBCA

10 May 2015

A show curated by Rirkrit Tiravanija explores food -- and the globalization of the food supply. Mikko Lautamo reviews.

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Mildred Howard @ Richmond Art Center

09 May 2015

A conceptualist/surrealist view of African-American history from an iconic Bay Area artist. Jeff Kelley reports.

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Letters to Afar @ Contemporary Jewish Museum

07 May 2015

With montages built from home movies, filmmaker Peter Forgács brings to life the culture of Polish Jewry from the interwar years.

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Emil Lukas @ Hosfelt

02 May 2015

Collaborating with nature and chance, Lukas injects fresh life into the term process painting.

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Eleanor Wood @ JayJay

29 April 2015

Wood’s austere, elegant Minimalist works give off the feeling of light being converted to mass. David Olivant reports.

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SF’s Mega Art Fair Weekend: May 1-3

27 April 2015

Three days, three art fairs: a preview of the weekend's events.

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Pierre Cordier and Gundi Falk @ Haines

21 April 2015

The chemigram -- a brew of photo chemicals, art materials, foodstuff, chance and light -- yields dazzlingly images. Maria Porges reports.

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Ruby Neri and Carter @ Paule Anglim

19 April 2015

Raw expressivity drives Neri’s figurative paintings. Carter collects and reorders cultural signifiers.

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